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The Best There Ever Was

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Various Artists - Shanachie Records Yazoo

 
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The Best There Ever Was
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A perfect introduction to the lonesome sound of the blues

  • We Say...

    To narrow the title slightly, call this the best album there ever was to give a friend who just sold his soul to Robert Johnson. (Of course, for that person, it'll be exactly the same thing.) Just about all the other major acoustic blues players are included here, and the stuff by lesser known artists like Frank Stokes or the immortally named King Solomon Hill is chosen with care. The mythology of the Mississippi Delta may be overblown, but Skip James' weirding ways can resist the hype, and the groove of Tommy Johnson exulting "hear me talking pretty mama" in "Big Road Blues" — the closest thing to an overfamiliar track to be found on this collection — remains as light on the ears as ever.

    Was "Mama, Tain't Long Fo' Day" the song that Dylan was listening to when he wrote "nobody can sing the blues like Blind Willie McTell"? It's good enough to make you think so, just as Geeshie Wiley's "Last Kind Word Blues" seems to issue from the same abyss as Hank Williams' "Alone and Forsaken." And this remains the essence of the blues: the way it can seduce you into feeling like you're listening to the essence of everything.

  • They Say...

    Yazoo Records has long been one of the prime sources for rural blues reissues from the 1920s and '30s. Transferred from old 78s, some so rare only a single copy or two are known to exist, these tracks offer a wonderful glimpse into a fabled blues past. Essentially a kind of greatest-hits collection for Yazoo, The Best There Ever Was features lesser known songs from several giants of the genre (Blind Willie Johnson's "I Know His Blood Can Make Me Whole," Charley Patton's "It Won't Be Long," Blind Lemon Jefferson's "Prison Cell Blues") that exhibit the same sort of range and power of their better known works. Also included are stellar tracks from more obscure performers, making the end result a great introduction to country blues. Highlights include the high tenor voice of Sam Collins on "Graveyard Digger's Blues" (a variant of "Sugar Babe," perhaps best known as performed by blues banjoist Dock Boggs), the taut guitar work of Garfield Akers on "Dough Roller Blues," and Geeshie Wiley's forlorn, haunting, and absolutely stirring vocal take on "Last Kind Word Blues." Classic songs by Skip James ("Cypress Grove"), Tommy Johnson ("Big Road Blues"), and Son House ("My Black Mama") round out an impressive track list.

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