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CHOPIN: Etudes Opp. 10 and 25

by

Freddy Kempf

 
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CHOPIN: Etudes Opp. 10 and 25
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These etudes are still among the most richly dazzling ever written.

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    Frederic Chopin's music, full of innovations in nuances of harmony and delicate coloristic effects, pushed the boundaries of what a piano could do. In these two sets of etudes (completed in 1832 and 1836), he also pushed piano technique, making unprecedented demands of virtuosity in works that are still among the most richly dazzling ever written. Not all the pieces are finger-tanglers, though; some are studies in sensitive touch and singing melody. Though pianist Freddy Kempf's technique is precise, these etudes are for him poetry first; in op. 10 no. 3 in E or op. 25 no. 1 in A-flat, he phrases the surface melody with the expressivity a great vocalist might bring to it.

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