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Average: 4.5 (13 ratings)
- Date Released: January 29, 2008
- Genre: Jazz
- Style: Avant-garde
- Label: Atavistic / The Orchard
Give the cello player some: Vandermark's newest features Fred Lonberg-Holm, amid yet more toe-tapping melodies.
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We Say...
Chicago’s Vandermark 5 are both prolific and predictable, yet usually fingerprint each album with an enticing twist. For Beat Reader it's the increased influence of newest member Fred Lonberg-Holm on cello, whether adding liltingly hummable bowed lines to the chamber jazz of “Further from the Truth” or igniting a Hendrixian bonfire on “Speedplay.” Elsewhere, Vandermark retains his penchant for making interlocking chock-a-block rhythms into toe-tapping melodies, and for creating compelling sonorities with saxophonist Dave Rempis on baritone sax or a variety of clarinets (like his wonderfully burred bass clarinet tones on the opening “Friction”). The rhythm section, especially tommy-gun drummer Tim Daisy, is typically staunch.
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You Say...
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| 01. |  |
Friction (For György Ligeti) |
8:36 |  |
| 02. | |
New Acrylic (For Andreas Gursky) |
9:36 | |
| 03. | |
Any Given Number (For Bernd And Hilla Becher) |
8:02 | |
| 04. | |
Signposts (For Lee Friedlander) |
8:57 | |
| 05. | |
Speedplay (For Max Roach) |
7:09 | |
| 06. | |
Compass Shatters Magnet (For Paul Rutherford) |
11:54 | |
| 07. | |
Further From The Truth (For Walker Evans) |
6:29 | |
| 08. | |
Desireless (For Daido Moriyama) |
8:44 | |
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